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Progressive House

House and progressive sounds. The program is visible too. Progressive trance is a popular sub-genre in T and contains elements of house, techno, and ambient

music.Trance

became more focused on the anthemic qualities and melodies, moving away from arpeggiated analog synth patterns.

Acoustic elements and spacey pads became popular with compositions leaned towards incremental changes à la progressive structures. Progressive T contains distinctive sounds in many tracks, such as unusual basslines or original synthesized sounds, which generally makes it more "catchy". Phrases are usually a power of two number of bars in most typical progressive tracks. Phrases usually begin with the introduction of a new or different melody or rhythm.

Although there is a general and increasing tendency to associate

progressive trance with progressive house (or vice-versa)

virtually rendering these two sub-genres identical, there are however distinctive characteristics apart from the strong similitudes between them: progressive trance inherits from its parent genre a wider melodic flexibility, while progressive house is usually darker and more minimal.

Trance music Progressive House

Trance music radio - Club Lounge Radio
Webradio Internetradio stream Armin van Buuren Paul van Dyk Above & Beyond Tiesto Markus Schulz Sander van Doorn Ferry Corsten Sasha John Digweed Menno De Jong Sean Tyas Eric Prydz Gabriel & Dresden Aly & Fila John 00 Fleming Danny Howells Eddie Halliwell James Zabiela 16 Bit Lolitas Carl Cox Desyn Masiello Marco V John O'Callaghan Sander Kleinenberg Steve Lawler James Holden Kyau & Albert Cosmic Gate Andy Moor Hernan Cattaneo Airwave Axwell ATB Ronski Speed Deep Dish Manuel Le Saux Christopher Lawrence Gareth Emery Sven Vath Blake Jarrell Lee Burridge Paul Oakenfold The Thrillseekers Trentemoller M.I.K.E. (Push) Rank 1 Luke Fair Richie Hawtin David Guetta Giuseppe Ottaviani Armin van Buuren Paul van Dyk Above & Beyond Tiesto Markus Schulz

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Armin van Buuren Paul van Dyk Above & Beyond Tiesto Markus Schulz Sander van Doorn Ferry Corsten Sasha John Digweed Menno De Jong Sean Tyas Eric Prydz Gabriel & Dresden Aly & Fila John 00 Fleming Danny Howells Eddie Halliwell James Zabiela 16 Bit Lolitas Carl Cox Desyn Masiello Marco V John O'Callaghan Sander Kleinenberg Steve Lawler James Holden Kyau & Albert Cosmic Gate Andy Moor Hernan Cattaneo Airwave Axwell ATB Ronski Speed Deep Dish Manuel Le Saux Christopher Lawrence Gareth Emery Sven Vath Blake Jarrell Lee Burridge Paul Oakenfold The Thrillseekers Trentemoller M.I.K.E. (Push) Rank 1 Luke Fair Richie Hawtin David Guetta Giuseppe Ottaviani Armin van Buuren Paul van Dyk Above & Beyond Tiesto Markus Schulz Sander van Doorn Ferry Corsten Sasha John Digweed Menno De Jong Sean Tyas Eric Prydz Gabriel & Dresden Aly & Fila John 00 Fleming Danny Howells Eddie Halliwell James Zabiela 16 Bit Lolitas Carl Cox Desyn Masiello Marco V John O'Callaghan Sander Kleinenberg Steve Lawler James Holden Kyau & Albert Cosmic Gate Andy Moor Hernan Cattaneo Airwave Axwell ATB Ronski Speed Deep Dish Manuel Le Saux Christopher Lawrence Gareth Emery Sven Vath Blake Jarrell Lee Burridge Paul Oakenfold The Thrillseekers Trentemoller M.I.K.E. (Push) Rank 1 Luke Fair Richie Hawtin David Guetta Giuseppe Ottaviani DJ Andex Some of the most representative names that currently work (almost exclusively) in this sub-genre are Markus Schulz, Gabriel & Dresden, Andy Moor, Armin Van Buuren, Schiller and Paul Oakenfold. It should be noted that 2006 - 2007 has been marked by fans as a very good years for Progressive T music, With numerous tracks appearing in the trance scene that have reached extremely high popularity. As well as the long running Dj, Armin Van Buuren, being crown as DJ Magazine's Worlds number 1 Compared to T, the progressive wing is usually deeper and more abstract, featuring a lower average bpm (around 125-135 instead of 130-160) and a recurrent melodic structure. This structure is intuitively described as consisting of three major structural elements: (1) build-up; (2) climax; (3) break-down. These three structural elements are expressed either temporally or in their intensity, if not both. A 'build-up' sequence can sometimes last up to 3 or even 4 minutes. Subtle incremental/decremental acoustic variations (i.e., gradual addition/subtraction of instruments) anticipate the transition to each subsequent structural element of the track. The initial build-up and the final break-down are generally very similar, adding a feel of symmetry to the general structure of the melody. Furthermore, a

progressive T track is usually longer

than a regular track, ranging in length from 5-6 to even 12-13 minutes.

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